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January 2010
On sale now at main newsagents and bookstores (or buy direct from the PM Shop)
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Peavey MSDI

Speaker simulator

Published in PM July 2009
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Reviews : Speaker Simulator
Peavey’s new MSDI aims to reproduce the miked sound of your guitar amp but without the hassle of miking a cab.
Bob Thomas
There can’t be many of us who haven’t used a Peavey Electronics product at one point or another in our playing careers. Founded in 1965 by Hartley Peavey in his parents’ basement, the corporation that bears his name has grown into one of the largest and most diverse privately held companies in the musical instrument industry. These days he’d need a 1.5 million-square-foot basement split across three continents to hold Peavey Electronics’ 33 factories that produce some 2000 product lines across PA, instrument amplifiers, guitars, basses, drums and accessories. In addition, the Peavey Electronics Corporation owns five major electronics brands: MediaMatrix, Architectural Acoustics, PVDJ, Crest audio and Trace Elliot. Peavey made their reputation by providing quality products at sensible prices, and their new MSDI Microphone Simulated Direct Interface carries on in that tradition.
Construction
Housed in a rugged, black-steel box replete with orange legending, the USA-made MSDI looks as tough as they come, and its solidity augurs well for a future longevity. Being a passive unit designed to be placed in-line between an amplifier and its speaker cabinet, it doesn’t require a power supply so there isn’t a wall-wart to worry about. The idea behind the MSDI is that, sitting between amp and speaker, it will deliver the sound of a miked-up guitar cabinet in live or studio environments.
The front-mounted connectors and controls are few and simple. On the left, arranged in a vertical line, sit a pair of jack sockets. The Input jack receives the output of your amplifier and the Output jack should be connected to either a suitable loudspeaker or to a dummy load. The MSDI’s three controls lie in a more or less central, vertical line. The top slider switch selects between three possible voicings; Hi Cut, Reference and Hi Boost. Below that is the rotary Output Level attenuator (with a range from 0dB to -dB), with the -15dB point on the scale being marked as the Reference Level. Below that you’ll find the push-button Ground Lift switch. To the extreme right, on a level between the last two controls, is the Microphone Simulated Output’s transformer-balanced XLR. Other than the four rubber feet on the bottom and the few screws that hold the unit together, that’s it for features on this product.
In Use
The miked cabinet simulation circuitry that feeds the XLR output is all passive and, being virtually impossible to overload, can be used with all powers of guitar amplifiers. It is also possible to use it (with no speaker connected) with a preamp that can deliver line-level signals. I first tried it out with a Strat Plus and my little 22-Watt 1964 Fender Deluxe, recording the output of the MSDI and then comparing the recording with the original.
No speaker emulator, to my ears, has ever got the sound totally accurate and the MSDI is no exception to that rule. However, the three tonal choices that form part of passive emulation circuit give the MSDI a more than fighting chance of producing a very good, if not entirely authentic sound. For the Strat/Deluxe combination I found that the Hi Cut position gave me the most subjectively similar results to the original, with the Reference position being slightly too bright to my ears. The Hi Boost just didn’t work for me with the Strat and Deluxe. Mind you, if I had been using a brighter speaker instead of the Deluxe’s ageing original 12-inch, it could well have been a somewhat different story.
Plugging the MSDI into a (non-Peavey), powered, plastic PA speaker gave the same subjective results and I’d have been happy to gig with the Hi Cut switch engaged. In both recording and PA setups I found that the setting of the Output Level made no discernable difference to the character of the sound, although Peavey do advise that, if you’re using the MSDI with high-powered amplifiers and are therefore having to turn the output level down, you’ll find that the bass end of your sound will be enhanced. Since my Deluxe’s 22 Watts hardly count as high-power this wasn’t an issue for me, however I did find that I heard its every crackle and pop with extreme clarity through the MSDI. Turning down the Output Level slightly solved most of the problem, but the real solution is going to be a trip to my amp tech for an overhaul.
Conclusion
If you need a simple, easy to use and cost-effective DI box that goes a long way towards giving you the sound of your amplifier being miked up, then the Peavey MSDI is a pretty good candidate for your credit card. Built like a tank and seemingly able to withstand anything that life on the road can throw at it, the MSDI is certainly capable of delivering a reasonable facsimile of your amp being miked up. How good a sound you get will be down to you getting the Tone switch setting right and your sound engineer tweaking the desk’s EQ. At the end of the day, the MSDI has all the Peavey hallmarks — great build quality, a reasonable price and the ability to do the job that you need done.  0

Published in PM July 2009
In this article:
Peavey MSDI £110
Peavey’s MSDI does an admirable job of simulating the sound of your amplifier’s loudspeaker miked up, while its rugged build quality should guarantee longevity.
information
Peavey UK
+44 (0)1536 461234
Tech Spec
MSDI
Speaker-simulated DI box.
Three-way Tone switch.
Transformer-balanced XLR output with Output Level control.
Ground-lift switch.
Passive circuitry.
Dimensions (WDH): 105 x 110 x 35mm.
Weight: 0.9kg.