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Photos too small? Click on photos, screenshots and diagrams in articles to open a Larger View gallery. January 2010
Other recent issues: | Peavey MSDISpeaker simulatorPublished in PM July 2009 Reviews : Speaker Simulator Peaveys new MSDI aims to reproduce the miked sound of your guitar amp but without the hassle of miking a cab.
There cant be many of us who havent used a Peavey Electronics product at one point or another in our playing careers. Founded in 1965 by Hartley Peavey in his parents basement, the corporation that bears his name has grown into one of the largest and most diverse privately held companies in the musical instrument industry. These days hed need a 1.5 million-square-foot basement split across three continents to hold Peavey Electronics 33 factories that produce some 2000 product lines across PA, instrument amplifiers, guitars, basses, drums and accessories. In addition, the Peavey Electronics Corporation owns five major electronics brands: MediaMatrix, Architectural Acoustics, PVDJ, Crest audio and Trace Elliot. Peavey made their reputation by providing quality products at sensible prices, and their new MSDI Microphone Simulated Direct Interface carries on in that tradition. Construction Housed in a rugged, black-steel box replete with orange legending, the USA-made MSDI looks as tough as they come, and its solidity augurs well for a future longevity. Being a passive unit designed to be placed in-line between an amplifier and its speaker cabinet, it doesnt require a power supply so there isnt a wall-wart to worry about. The idea behind the MSDI is that, sitting between amp and speaker, it will deliver the sound of a miked-up guitar cabinet in live or studio environments. The front-mounted connectors and controls are few and simple. On the left, arranged in a vertical line, sit a pair of jack sockets. The Input jack receives the output of your amplifier and the Output jack should be connected to either a suitable loudspeaker or to a dummy load. The MSDIs three controls lie in a more or less central, vertical line. The top slider switch selects between three possible voicings; Hi Cut, Reference and Hi Boost. Below that is the rotary Output Level attenuator (with a range from 0dB to -dB), with the -15dB point on the scale being marked as the Reference Level. Below that youll find the push-button Ground Lift switch. To the extreme right, on a level between the last two controls, is the Microphone Simulated Outputs transformer-balanced XLR. Other than the four rubber feet on the bottom and the few screws that hold the unit together, thats it for features on this product. In Use The miked cabinet simulation circuitry that feeds the XLR output is all passive and, being virtually impossible to overload, can be used with all powers of guitar amplifiers. It is also possible to use it (with no speaker connected) with a preamp that can deliver line-level signals. I first tried it out with a Strat Plus and my little 22-Watt 1964 Fender Deluxe, recording the output of the MSDI and then comparing the recording with the original. No speaker emulator, to my ears, has ever got the sound totally accurate and the MSDI is no exception to that rule. However, the three tonal choices that form part of passive emulation circuit give the MSDI a more than fighting chance of producing a very good, if not entirely authentic sound. For the Strat/Deluxe combination I found that the Hi Cut position gave me the most subjectively similar results to the original, with the Reference position being slightly too bright to my ears. The Hi Boost just didnt work for me with the Strat and Deluxe. Mind you, if I had been using a brighter speaker instead of the Deluxes ageing original 12-inch, it could well have been a somewhat different story. Plugging the MSDI into a (non-Peavey), powered, plastic PA speaker gave the same subjective results and Id have been happy to gig with the Hi Cut switch engaged. In both recording and PA setups I found that the setting of the Output Level made no discernable difference to the character of the sound, although Peavey do advise that, if youre using the MSDI with high-powered amplifiers and are therefore having to turn the output level down, youll find that the bass end of your sound will be enhanced. Since my Deluxes 22 Watts hardly count as high-power this wasnt an issue for me, however I did find that I heard its every crackle and pop with extreme clarity through the MSDI. Turning down the Output Level slightly solved most of the problem, but the real solution is going to be a trip to my amp tech for an overhaul. Conclusion If you need a simple, easy to use and cost-effective DI box that goes a long way towards giving you the sound of your amplifier being miked up, then the Peavey MSDI is a pretty good candidate for your credit card. Built like a tank and seemingly able to withstand anything that life on the road can throw at it, the MSDI is certainly capable of delivering a reasonable facsimile of your amp being miked up. How good a sound you get will be down to you getting the Tone switch setting right and your sound engineer tweaking the desks EQ. At the end of the day, the MSDI has all the Peavey hallmarks — great build quality, a reasonable price and the ability to do the job that you need done. 0 ![]() Published in PM July 2009
| Peavey MSDI £110 Peaveys MSDI does an admirable job of simulating the sound of your amplifiers loudspeaker miked up, while its rugged build quality should guarantee longevity.
Tech Spec MSDI Speaker-simulated DI box. Three-way Tone switch. Transformer-balanced XLR output with Output Level control. Ground-lift switch. Passive circuitry. Dimensions (WDH): 105 x 110 x 35mm. Weight: 0.9kg. |
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