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Photos too small? Click on photos, screenshots and diagrams in articles to open a Larger View gallery. January 2010
Other recent issues: | Kam Extreme SeriesPA speakersPublished in PM October 2007 Reviews : PA: Passive The recently-introduced Extreme Series of passive PA/DJ speakers from Kam offers high power handling and easy setup, but how will they perform on the road?
The Kam brand offers a wide range of PA and DJ speaker solutions at highly competitive prices, doubtless assisted by their Chinese manufacturing origin. The Extreme range, that formed the subject of my road test, consists of three models: the 'Extreme 15', which is a 350-Watt RMS two-way passive cabinet with a single 15-inch bass speaker and an HF compression driver, the 'Extreme 215' which has an additional 15-inch driver and can handle 550 Watts RMS, and the 'Extreme 18S' — a 500-Watt RMS subwoofer that contains a single 18-inch speaker. I opted for a pair of the Extreme 215s and a pair of the Extreme 18S subs, which arrived all brand spanking new and very well packed in strong cardboard boxes. Upon opening the containers I found a nice little bonus — these speakers are supplied not only with a set of transport/storage covers but also with good quality leads, so you're ready to go straight out of the box. A closer look
The Extreme 215 contains two 15-inch LF/MF speakers and a 1.8-inch titanium diaphragm compression driver mounted on a 60x60 degree moulded horn assembly. The components are housed, totem pole-style, in a tall trapezoidal enclosure that is finished in black carpet. The front panel (what I'd call the baffle board) is made from a type of injection moulded plastic material and feels very rigid, and the two 15-inch drivers are protected by two round steel mesh covers which fit neatly and flush with the surface of the panel. At the rear of the cabinet there are input connections for both Speakon and quarter-inch jacks, and parallel 'through' connections are provided for both types. The Extreme 215 is rated at 550 Watts RMS, presents a nominal 4-Ohm load impedance, and according to the official Kam specification sheet can deliver a maximum sound pressure level of 103dB (although it doesn't say at what frequency this was measured/calculated). Frequency response is quoted as 50Hz up to 20kHz at the 3dB points and the internal crossover point is 2.5kHz, which should mean that the horn isn't trying to work too hard in the middle frequencies. The back panel also gives access to a high-frequency protection lamp which can be replaced without the need to get inside the cabinet at all — a really useful feature, and I believe that they even give you a spare lamp with each speaker. The Extreme 18S subwoofer uses a single 8-Ohm, 18-inch bass driver, which has a large 2.5kg magnet and can handle 500W RMS. Maximum SPL is given as 102dB and the frequency response at 3dB runs from 200Hz down to 40Hz. The 18S has a built-in passive crossover circuit which routes anything below 150Hz to the 18 inch speaker and everything else to the 'speaker through' socket — as with the 215, both Speakon and jack connections are provided. The integral crossover means that the whole system can be driven from a single amplifier, feeding into the subs then linking from the 'through' output to the mid/high cabinets. The entire front of the Extreme 18S is protected by a steel grille which is a good idea as the baffle holes are thus protected against the possible ingress of foreign bodies (including small rodents, which may be more or less relevant to you depending on where and how you store your gear!). Physically speaking
The Extreme 215 and the 18S subwoofer are both constructed of 18mm thick ply. The 215 model weighs in at 41kg, which is quite manageable and not at all unreasonable for a cabinet of this size. The handles built in to each side are comfortable, sturdy and at a good height, but the front of the cabinet is heavier than the back and it tends to tip forward when picked up — with two people carrying it I found that I had to use my 'outside' hand to stop it tilting forward too far, but I found it quite easy to lift up on my own due to the relatively slim trapezoidal shape. The 18S sub weighs slightly less at 36kg, and is easy to lift and carry around — it's possible (but not recommended) for one person to lift it provided they have long enough arms to reach the side handles! The cabinets appear well-finished and are very strong, with no suggestion of flexing or creaking even when handled quite roughly. The black carpet covering looks as if it's been accurately fitted with nice tight joins and glued firmly in place, and the useful fitted covers offer a degree of protection in transit and storage — I wish other manufacturers would follow this example. Test firing
I rigged the Extremes in the open air using a pair of C-Audio ST600 power amps and an external crossover. The top end was clear and bright, and I experimented with several different crossover frequencies before deciding that somewhere around 150Hz (which is the same as the internal crossover in the sub) worked best for me. There was enough low end thump to annoy even the most placid neighbours, and a particularly strong low-mid drive which worked very well with heavy rock tracks. Upper frequencies were pleasingly clear and clean and stayed that way when I turned up the wick. Sound-wise, these speakers are clearly built to take a beating and they seemed to handle everything I gave them without any signs of stress. So far, so good. It was time to go 'over the top' Into battle
For my road test, I decided to take the Extremes along to an outdoor 'Battle Of The Bands' PA job. At this type of gig it's never completely certain what kind of material you're going to deal with, but I strongly suspected that the word 'metal' might crop up once or twice — so I needed main speakers that could take a bit of a hammering if necessary. For various reasons connected with the weather and the size and shape of the stage canopy we decided to put the speakers on the front edge of the stage, and to run them from a C-Audio ST600 power amp each side, using an external crossover, as in the first static test. The area to be covered was about 50 metres deep and about the same wide, so having set everything up and played some 'nice, relaxing' music through the system to check everything was working properly, the first of the eight bands came on stage for their soundcheck. One thing I have often noticed when sound checking young bands within the 'metal' genre is that their main vocalist almost never gives you his performance level until the gig actually begins — the sound check can be a 'one two, huh, this is embarrassing' type of affair but when they kick off for real, that's when the screaming starts and you'd better have the kit to take it happily that's just what these Extreme Series speakers are extremely good at — taking stick, and a great deal of stick. Almost five hours of entertainment later, and we had a result. The bands had rocked and screamed their way through eight belting sets, and I think everyone was happy with the sound — I based my judgement on the fact that no-one came and asked me to turn it up, and also because the bands' mates (many of whom were also playing in other bands) were all out front and they tend to know what they like. I was impressed with the big, brawny sound from these speakers; the low-mid was very strong and thumpy and the top end didn't buckle under the pressure of monster vocals. We had no problem getting enough level to the back of the venue and the sound was pretty evenly balanced all the way back. I would be happy to use these speakers again in any similar situation and I think they would be ideal as dry hire stock for live use as well as loud DJs — they seem pretty unbreakable and they look good too. I imagine that, although I didn't have a pair to try out, the single-driver version — the Extreme 15 — would be just as effective when used in conjunction with the 18S subs, although I really liked the extra depth and lower-mid clout which the 215s deliver, and when sat on top of the subs they are at a perfect height for performance. Back at the Bat Cave, when we had unloaded everything, I rigged up the Extreme 215s again, this time to try them without the subs. They sound fine on their own (which of course they are designed to do) and kick out plenty of bottom end but obviously without the depth of the system-plus-subs, and — a point sometimes overlooked with tall-ish three-way speakers — they have to be stood on something to get the horn section above head height, so I think I'd take the subs along anyway wherever possible. One little point to note, if using a combination of Extreme 215 and Extreme 18S subs running in passive mode (ie. when using the crossover built into the sub and using a single amp channel to drive the stack) is that the total impedance per stack will be less than four Ohms because you will have an eight Ohm and a four Ohm cabinet in parallel, which would also tend to affect the power balance between the mid/top and sub speakers. Using these speakers together isn't a problem so long as the subs and mid/tops are driven by separate power amps, although if you want to run 'single amp passive' then the Extreme 15 (I love saying that) is an eight Ohm box and so matches the sub perfectly, which is what it was designed for. The Kam Extreme series are beefy, no-nonsense speakers that sound good, look good, and are relatively easy to move around. They appear to be well-built with a good finish quality, and their high power handling capability makes them good contenders for any 'band-on-the-road' application; as I mentioned earlier, if I were to start dry-hiring PA gear these would be the first thing I'd look at buying. If you're after good performance, high power handling and you want to spend your time getting on with the music rather than worrying about your speakers, these have got to be on your shortlist for evaluation. 0 ![]() Published in PM October 2007
| Kam Extreme 215 £299 Kam Extreme 18S £249 The Extreme series offers good audio performance combined with bullet-proof construction. With high power handling and decent sensitivity too, they represent particularly good value for money. Little extras like finding covers and cables thrown in as standard all help to give you a good feeling about these speakers.
Tech Spec Kam Extreme 215 Nominal impedance: 4 Ohms. Power handling: 550 Watts RMS @ 4 Ohms. Sensitivity: (1W/1m) 98dB. Frequency response: 50Hz-20kHz (+/-3dB). Internal crossover frequency: 2.5kHz. Directivity: (H x V) 60 x 60 degrees. Speaker input: Speakon & 1/4-inch jack. Speaker through: Speakon & 1/4-inch jack. Speakon wiring configuration: +1/-1. Enclosure colour & finish: black/carpet. Front panel: 5mm injection moulded. Cabinet: 18mm plywood. LF driver size: 2 x 15-inch. LF driver magnet: 1.84kg. HF driver size: 1.81-inch. HF driver type: compression horn. HF driver material: titanium. Steel mesh grille. Pole mount socket. Base dimensions: (W x D x H) 481 x 507 x 1138mm. Weight: 41kg. Tech Spec Kam Extreme 18S Nominal impedance: 8 Ohms. Power handling: 500 Watts RMS @ 8 Ohms. Max sound pressure level: 102dB. Sensitivity: (1W/1m) 98dB. Frequency response: 40Hz-200Hz. Crossover frequency: 150Hz. Speaker input: Speakon & 1/4-inch jack. Speaker through: Speakon & 1/4-inch jack. Speakon wiring configuration: +1/-1. Driver size: 18-inch. Pole mount socket. Base Dimensions: (W x D x H) 607 x 613 x 680mm. HF driver material: titanium. Steel mesh grille. Pole mount socket. Base dimensions: (W x D x H) 481 x 507 x 1138mm. Weight 41kg. |
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